In his
Keswick classic, So Great Salvation,
Steven Barabas alleges that “Keswick is very careful to point out that its
doctrine of sanctification by faith is not Quietism,” quoting “Bishop Handley
Moule”[1] to support this alleged
opposition to Quietism by Keswick. 
However, Barabas either overlooks or misrepresents[2] the fact that Moule
himself, who Barabas affirms was the greatest scholar ever to adopt the Keswick
theology, wrote that the believer’s part in the Keswick model of sanctification
is “a blessed and
wakeful Quietism,” so that “Quietism . . . express[es] one side of [the] truth”
in sanctification.[3]

               Barabas
explains Moule’s importance to Keswick:  “The
adherence of Dr. Moule to the Keswick platform was a great accession of
strength . . . there is no doubt that Dr. Moule was [Keswick’s] greatest . . .
scholar.”[4]  Moule adopted the Keswick theology through
the influence of Evan Hopkins.[5]  Nevertheless, even Bishop Moule did not write
any works for the world of scholarship, a fact put in the most favorable light
by his biographers:

Those who knew Dr. Moule’s powers often longed that he
would give to the Church some great work, which would appeal to the world of
pure scholarship and advanced studies; but . . . he deliberately consecrated
all his powers to meet the needs of the general body of Christian people . . .
it is not surprising that Dr. Moule should have felt that he could best serve
his day and generation by using his all-too-scanty leisure upon such writings
as were in the line of his pulpit and platform ministrations.[6]

Thus,
Moule did not write any exposition or defense of the Keswick theology for the
world of scholarship, just as nobody else has done, despite what will soon be a
century and a half of the worldwide promulgation of the Keswick theology.  Perhaps such an exposition has never been
written because Keswick doctrine is unscholarly and cannot be defended at an
advanced level.

               Thankfully, although Moule
affirmed Quietism was one side of the truth, he also affirmed it was “only” one
side of it, adding:  “In the history of
theological language [Quietism] has some associations with dangerous
error.”  While such a warning is better
than an unqualified endorsement of Quietism, it is far too bland and
nonspecific; nobody knows who exactly is teaching “dangerous error” or what
“some associations with” such error actually means, so that Moule’s disclaimer
has no practical value.  It seems that
Moule thought that those teaching “dangerous error,” or at least error that was
damnable and really and truly serious, did not include the actual promulgators
of Roman Catholic mystical Quietism such as Archbishop Fenélon, for Moule wrote
concerning him:  “There are assuredly
many Roman [Catholics] that know that light [of salvation], as Fenelon and his
friends [such as Madame Guyon] so beautifully did.”[7]
 If beautiful knowledge of the light of
Christ is found in such a central figure of medieval Romanist Quietism as
Archbishop Fenélon, despite his rejection of core elements of the gospel such
as justification by faith alone, and despite the fact that he was so zealous as
a partisan for Rome and against Protestantism that he led a mission to bring
French Huguenots back into the fold of Mystery Babylon and her idolatry, one
wonders what advocates of Quietism actually qualified as dangerous.

               Unfortunately, Moule’s lack of a
Christ-like, pointed, and specific denunciation of false teachers and false
teaching (cf. Matthew 23) was not limited to applying a feather duster to Roman
Catholic Quietism instead of hewing it in pieces with the sword of the
Spirit.  Moule himself held to numerous
serious heresies.  He was “quite willing
to read” the creation account in “Gen i-iii . . . as hieroglyphics [rather]
than as pictures or photographs of scenery.” 
He wrote:

We are not bound to believe that the Creator literally
spoke syllables meaning “Let there be light.” We are not bound to literalism in
the mysterious details of the creation of woman. We are not bound to every
particular of the temptation. They are . . . fact not necessarily painted
exactly as it happened, but conveyed in hieroglyphic signs . . .  a prophecy of fact, conveyed through
non-literal symbols . . . I think the action of the serpent in Gen. iii. may be
of the same class. We thus have Scripture beginning . . . with facts so
mysterious that they need in our present state mysterious representation.[8]

God’s
Word did not have to mean exactly what it says in the account of the Creation
and Fall; rather, this portion of the Mosaic narrative may be “hieroglyphic signs”
filled with sound and fury, signfying nothing, or at least nothing anyone could
know for certain.  Moule also affirmed
that a “new and higher law for the Christian mind” made it well if portions of
the Psalter were “omit[ted] . . . [from] public use . . . in common worship,”
as parts of God’s Word in songs such as Psalm 69 and 109 were allegedly
sub-Christian,[9]
despite profuse references to these very psalms in the New Testament (Matthew
27:34, 48; Mark 15:36; Luke 23:36; John 2:17; 15:25; 19:28-29; Acts 1:16, 20;
Romans 11:9-10; 15:3, etc.).  Concerning
“Old Testament Criticism” Moule wrote:  “I do not forget that large recognition has
often and obviously to be given to the presence of many documents or ‘sources’
in one writing, and to many an after note or comment usefully embodied in the
text.”[10]  JEDP and masses of editorial revisions to the
Old Testament by those who were not prophets writing under inspiration were
apparently acceptable.  Moule also
“showed a large-hearted tolerance” for those, including “many of his pupils and some of his colleagues,”
who “took more advanced positions”—that is, who delved further into the hellish
pits of the Higher Criticism than he did himself; such people were certainly
not false teachers in need of deliverance from the kingdom of darkness, but
could be “loyal to the Master Himself” while holding to higher critical
heresies.[11]  It is not surprising, then, that many of
Moule’s pupils accepted Higher Criticism when Moule taught them:  “The Lord . . . stated no theory of th[e]
construction . . . [of] the Scriptures,”[12]
such as the Biblical fact that the Bible was dictated, although not
mechanically, by the Holy Ghost, in such a manner that its very words, and all
of its words, were inspired by God.  But
if the Creation and the Fall could be “hieroglyphic signs,” why could not the
saving work of Christ be a mere symbol also? 
Does not the Apostle Paul parallel the fall of men in Adam and their
deliverance through Christ in Romans five?

See here for this entire study.

TDR

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