Images of the Son of God, Jesus Christ, should not be made for the reasons explained in the appropriate articles in the studies on ecclesiology here.  But did you know that the Gnostics were the first ones to makes images of the Savior? Note the following:

The Gnostics, in their enmity to God the Father, had proscribed his image, but being favourable to the Son, they painted and sculptured the figure of the Saviour, of all dimensions, and under various forms. It … appears … that we are indebted to Gnostics for the earliest portraits of Jesus. “It was for the use of Gnostics, and by the hand of those sectaries, who attempted at various times, and by a thousand different schemes, to effect a monstrous combination of the doctrines of Christianity with Pagan superstitions, that little images of Christ were first fabricated; the original model of these figures they traced back to Pontius Pilate himself, by a hypothetical train of reasoning, which could scarcely deceive even the most ignorant of their initiated disciples. These little statues were made of gold, or silver, or some other substance, and after the pattern of those of Pythagoras, Plato, Aristotle, and other sages of antiquity, which those sectarians were accustomed to exhibit, crowned with flowers in their Conciliabula, and all of which were honoured with the same degree of worship. Such, indeed, is the positive assertion of St. Iræneus,* confirmed, or at least reiterated by St. Epiphanius.† This superstition, which on the same principle permitted painted images of Christ, was peculiarly in vogue amongst the Gnostics of the sects of Carpocrates; and history has preserved the name of a woman, Marcellina, adopted by that sect, for the propagation of which she removed from the farthest East, to Rome; and who in the little Gnostic church, as it may be called, which was under her direction, exposed to the adoration of her followers images of Christ and of St. Paul, of Homer and Pythagoras. This fact, which is supported by the serious evidence of St. Augustine,‡ is, besides, perfectly in accordance with the celebrated anecdote of the Emperor, Alexander Severus, who placed amongst his Lares, between the images of the most revered philosophers and kings, the portraits of Christ, and of Abraham, opposite those of Orpheus and Apollonius of Tyana, and who paid to all a vague kind of divine worship.§ It cannot, therefore, be doubted, that this strange association originated in the bosom of certain schools of the Neo-Platonists, as well as in several Gnostic sects, and we may thence infer, that the existence of images fabricated by Gnostic hands, induced Christians, as soon as the Church relaxed in its primitive aversion to monuments of idolatry, to adopt them for their own use.*”^[1]

* St. Irenæus, Advers. Hæres. lib. i., cap. xxv., a. 6, édition de Massuet.

† St. Epiphanius, Hæres. cap. xxvii., a. 6. See on this subject the dissertation of Jablonsky, “de Origine imaginum Christi Domini in Ecclesia Christiana,” s. 10, in his Opuscul. Philol. vol. iii., 394–396.

‡ St. Augustin, de Hæresib. cap. vii.: “Sectæ ipsius (Carpocratis) fuisse traditur socia quædam Marcellina, quæ colebat imagines Jesu et Pauli, et Homeri et Pythagoræ, adorando incensumque ponendo.” (See the dissertation of Fueldner, upon the Carpocratians, in the Dritte Denkschrift der Hist. Theol. Gesellschaft zu Leipzig., p. 267, et seq.)

• Æl. Lamprid. in Alexandr. Sever. cap. xxix. “In larario suo, in quo et divos principes, sed optimos (et) electos et animas sanctiores, in queis et Appollonium, et quantum scriptor suorum temporum dicit. Christum, Abraham et Orpheum, et hujusmodi ceteros, habebat ac majorum effigies, rem divinam faciebat.” Such is the lesson proposed by Heyne for the employment of this text. (See the dissertation of Alexandr. Sever. Imp. religion. miscell. probant., &c., in his Opuscul. Academ. vol. vi., p. 169–281; see also on this subject the dissertation of Jablonsky, De Alexandra Severo, Imperatore Romano, Christianorum sacris per Gnostico initiato, in his Opuscul. Philol. vol. iv., p. 38–79.

* Such, we are told by M. Raoul Rochette, is the inference drawn by the pious and learned Bottari, from the testimony quoted above, Pitture e Sculture Sacre, vol i., p. 196; and that his opinion, formed in the bosom of orthodox Catholicism, has been adopted by all Roman antiquaries.

^[1] Adolphe Napoléon Didron, Christian Iconography; Or, the History of Christian Art in the Middle Ages, trans. E. J. Millington and Margaret Stokes, vol. 1 (London: George Bell and Sons, 1886), 243–245.

So if you use images of Jesus Christ to (mis)represent Him in curricula for children’s ministries, or around the 25th of December you make a little image of Jesus and put it in a stable, you are not only violating the Second Commandment by engaging in a form of (likely unintentional) idolatry, but you are following the ancient Gnostics.

Maybe it is time to immediately stop making, using, condoning, promoting, or contributing in any way to the use of images of the Son of God.

–TDR